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John Beswick Conductor

John Beswick ConductorJohn Beswick Conductor

Green Octopus Band - a brand new ensemble.

Why "Green Octopus Band?"....

Basically, around the time I had the idea of putting an ensemble together, I was walking my then 7-year-old son to school. I asked him, “If I had a band, what should it be called?” Without missing a beat, he replied, “Green Octopus Band.” I thought, that’s rather good, especially since I had expected something more along the lines of “Pooh-Pooh-Fart Band” from a 7-year-old boy. 

A few years later, I asked if he remembered coming up with that name, and he said, “Yes. I was trying to come up with something like the Beatles’ Yellow Submarine.” That decided it; if my young son was referencing the Beatles, that was good enough for me. 

Band line-up

The instrumentation has evolved into its current lineup as the writing project shifted from an initial intention to create companion pieces to Glassworks by Philip Glass, to a broader desire to write music that is fun to play and, hopefully, enjoyable to listen to. The line-up now consists of two saxophones, string quartet, piano, keyboard, bass and drum-kit/percussion.

The project...

Pictures above were taken at the very first meeting of the ensemble - in Crouch End Recording Studios. We had a very successful day and managed to record 6 tracks, links to which are below. Hopefully, another session will follow early next year, and then we will set a date for a live performance as an official launch of what should be a full album's worth of music. Exciting times!

Tracks

Click on a link to listen....
BalladeContemplationEbullienceIcelandic LullabyLockdown LitaniesNorthern RItes

Personnel from the recording session

On the saxophone...

Rhys Taylor was a busy man, recording and overdubbing all day long - excellent job, mate!

In the string quartet

Led by the incomparably excellent Nia Bevan, the quartet also featured Simon Howes on 2nd violin, Becky Hopkins on viola and Richard Phillips on cello.

The Rhythm section

Of course, when I wrote the music, I wanted to be part of it, so I am inevitably playing piano. Carrie Grant joins on keyboard, with Tom Clare and Greg Hagger on percussion and electric bass respectively.



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